More songs by Jory Boy
More songs by Farruko
Description
It smells of sweat, speaker columns and that summer when everything seemed endless. The dance floor shakes like an old bus on bumps, and the bass hits you right in the chest - with the arrogance of an old friend who has returned after a long holiday. There's no room for philosophy here: there's a remix from 2003, crop tops, wet whiskeys, and the phrase ‘hacíamos falta nosotros’ - spoken as if without them, the world really was on pause.
Everything happens in slow motion - sweat, light, someone's hands on the wall, the smell of cheap rum and the certainty that the night will never end. This is not about romance, but about that very animalistic energy when the head does not interfere with the body's movements. The sound is bold, sticky, loud - as if the air itself is singing along. And yes, finally, you can just perrear again for no reason, because the rhythm has come home.
Lyrics and translation
Original
-Bad boy sound, and this a bad boy sound. -Take it down.
-Bad boy sound, and this a bad boy sound. -Dile.
Ready fi them because I pure problem. Ready fi them because I pure problem.
Wow. Vamo' a darle un reggaetón lento, vámono' a fuego. El de la J, mami, con el
Farru, volvemo' a aplicarla sin miedo.
Farru. Pa' to'a esas shorties en los New York. Pa' los bandidos en las prisiones.
Pa' to' esos barrios talentones.
Ay, vamo' a darle sin miedo.
Bad boy, bad boy, bad boy sound, and this a bad boy -sound. -That. Hace tiempo esto no se escuchaba.
Por eso es que la gente no perreaba. Hacíamos falta nosotros.
Bad boy sound, and this a bad boy sound. Hace tiempo esto no se escuchaba.
Por eso es que la gente no perreaba. Es que hacíamos falta nosotros.
En la esquina de la Rico, la vi bailando sola en la pared.
Y rápido dije: «Esa es la que es». Y hablando claro, yo no fuent' en miel. Yo vine y me pegué.
Mola, me va. ¿Cómo tú te llamas?
-¿Te llamas?
-Oh, pero si me das la verde, yo por encima que voy.
Pero si me das la verde, yo por encima que voy. Por encima que voy, po-po-por encima que voy.
Aquí estoy yo.
Farru. Tócate por la mano en la pared. Dale hasta abajo hasta que sude la piel.
Como si estuviéramos pa' allá pal 2003. Perreando con una de Wisin y Yandel.
Tócate por la mano en la pared. Dale hasta abajo hasta que sude la piel.
Como si estuviéramos en el 2003. Perreando con una de Wisin y Yandel.
-Bad boy sound, and this a bad boy sound. -That. Hace tiempo esto no se escuchaba.
Por eso es que la gente no perreaba. Hacíamos falta nosotros.
Bad boy sound, and this a bad boy sound. Hace tiempo esto no se escuchaba.
Por eso es que la gente no perreaba. Es que hacíamos falta no-
DJ, give me some, give me some, some nasty. D-D-D-D-DJ, métele a replay.
Dale más lento, ponle delay. D-D-D-D-DJ, métele a replay.
Por encima que voy, po-po-por encima que voy.
D-D-D-D-DJ, métele a replay. Dale más lento, ponle delay.
D-D-D-D-DJ, -métele a replay.
-Por encima que voy, po-po-por encima que voy. Por encima que voy, po-po-por encima que voy.
Por encima que voy, po-po-por -encima que voy-voy. -D-D-D-D-DJ.
-D-D-D-D-DJ. D-D-D-D-D-D-D-D-D-D-D-DJ. -Вы, вы. El de la J, baby. Вы, вы.
Dímelo, Farru.
-Jumbo, el que produce éxitos. -My play. Ey, Young Boss.
Yamil Blaze. Dímelo, Hyde.
-Dilo, guarda. -Directamente desde la base.
Hacíamos falta nosotros.
English translation
-Bad boy sound, and this a bad boy sound. -Take it down.
-Bad boy sound, and this a bad boy sound. -Tell him.
Ready fi them because I pure problem. Ready fi them because I pure problem.
Wow. Let's give it a slow reggaeton, let's go on fire. The one with the J, mommy, with the
Farru, let's apply it again without fear.
Farru. For all those shorties in New York. For the bandits in prisons.
For those talented neighborhoods.
Oh, let's go and hit it without fear.
Bad boy, bad boy, bad boy sound, and this a bad boy -sound. -That. This was not heard in a long time.
That's why people didn't twerk. We were needed.
Bad boy sound, and this a bad boy sound. This was not heard in a long time.
That's why people didn't twerk. It's just that we were needed.
On the corner of Rico, I saw her dancing alone on the wall.
And I quickly said: "That's who it is." And speaking clearly, I do not source honey. I came and hit me.
Cool, I like it. What's your name?
-Is your name?
-Oh, but if you give me the green one, I'll go ahead.
But if you give me the green one, I'll go ahead. Above I go, po-po-above I go.
Here I am.
Farru. Touch yourself by your hand on the wall. Hit it all the way down until your skin sweats.
As if we were back in 2003. Playing with one of Wisin y Yandel.
Touch yourself by your hand on the wall. Hit it all the way down until your skin sweats.
As if we were in 2003. Playing with one of Wisin y Yandel.
-Bad boy sound, and this a bad boy sound. -That. This was not heard in a long time.
That's why people didn't twerk. We were needed.
Bad boy sound, and this a bad boy sound. This was not heard in a long time.
That's why people didn't twerk. It's just that we needed not-
DJ, give me some, give me some, some nasty. D-D-D-D-DJ, put it on replay.
Slow it down, put a delay on it. D-D-D-D-DJ, put it on replay.
Above I go, po-po-above I go.
D-D-D-D-DJ, put it on replay. Slow it down, put a delay on it.
D-D-D-D-DJ, -put it on replay.
-Above that I go, po-po-above that I go. Above I go, po-po-above I go.
Above that I go, po-po-above that I go-I go. -D-D-D-D-DJ.
-D-D-D-D-DJ. D-D-D-D-D-D-D-D-D-D-D-DJ. -Вы, вы. The one with the J, baby. Вы, вы.
Tell me, Farru.
-Jumbo, the one that produces hits. -My play. Hey, Young Boss.
Yamil Blaze. Tell me, Hyde.
-Say it, save. -Directly from the base.
We were needed.