Şașkın

From the very first seconds, it all sounds like a strange party at the intersection of worlds: either a folk ritual or an experiment in a friend's kitchen, where someone found a tambourine, another found a synthesiser, and a third is just laughing in time to the beat. Laughter, shouts and music intertwine as if the song itself cannot decide whether to be a serious prayer or a cheerful parody.

There is a certain charm in this chaos - like an old courtyard where children run barefoot, adults make noise at the table, and a neighbour suddenly starts playing a tune on his accordion. The result is a vivid mixture: a little wild, a little absurd, but so alive that you begin to believe that music does not have to be ‘correct’ to give a feeling of celebration.